Born in New York City in 1946, Martin Bresnick’s compositions - from opera, dance, choral, chamber and symphonic music to film scores and computer music - are performed throughout the world. He delights in reconciling the seemingly irreconcilable, bringing together repetitive gestures derived from minimalism with a harmonic palette that encompasses both highly chromatic sounds and more open, consonant harmonies and a raw power reminiscent of rock. Bresnick’s orchestral music has been performed by the National Symphony, Chicago Symphony, American Composers Orchestra, San Francisco Symphony, New Haven Symphony, Münster Philharmonic, Kiel Philharmonic, Orchestra of the Radio Televisione Italiana, Orchestra New England, City of London Chamber Orchestra, Orquestra Sinfonica do Estado de Sao Paulo, St. Paul Chamber Orchestra, Oregon Symphony Orchestra, Bilbao Orkestra Sinfonika, and Izumi Sinfonietta Osaka, Fairfax Symphony, New Haven Symphony, and the Australian Youth Orchestra. His chamber and choral music has been performed in concert by The Chamber Music Society of Lincoln Center, The Crossing Choir, Sonor, Da Capo Chamber Players, Speculum Musicae; Bang on A Can All-Stars, Nash Ensemble, MusicWorks!, Zeitgeist, Musical Elements, Alarm Will Sound, Double Entendre, Tactus, Le Train Bleu, White Ibis Ensemble, Viney-Grinberg Piano Duo, New Morse Code, NakedEye Ensemble, TwoSense, Left Coast Chamber Ensemble, Chamber Music Northwest, Yale Choral Artists, Prism Saxophone Quartet, Great Noise Ensemble, Brentano String Quartet, Third Coast Percussion, Sō Percussion, Icarus Quartet, Crux Duo, Mammoth Trio, and Plexus Trio. Festivals throughout the world have featured Bresnick’s music: New York Philharmonic Biennial Festival, Bang on a Can Marathons, Big Ears Festival, Chautauqua Festival, Tanglewood, Olavsfest (Trondheim Norway), Oviedo New Music Festival (Spain), International Navy Saxophone Symposium, Missouri Chamber Music Festival, Evolution Contemporary Music Series, Tura New Music Festival Perth (Australia), International Festival of Arts and Ideas (New Haven), Sonic Boom, Adelaide, Sydney, Israel, Prague Spring, South Bank's Meltdown (London), Almeida, Melbourne Metropolis, Turin, Banff, Norfolk, ISCM, New Music America, New York Philharmonic New Horizons, and Red Note New Music Festival. Bresnick has written music for films - two of which, Arthur & Lillie (1975) and The Day After Trinity (1981) were nominated for Academy Awards in the documentary category (both with Jon Else, director). Other films include Cadillac Desert, Mohammed - Legacy of a Prophet, The Botany of Desire, William Carlos Williams, and Wallace Stevens - Made Made Out Of Words. Bresnick’s prizes and commissions include the inaugural Charles Ives Living Award from the American Academy of Arts and Letters, The Rome Prize, The Berlin Prize, a Guggenheim Fellowship, Koussevitzky Commission, Fulbright Fellowship, three N.E.A. Composer Grants, A.S.C.A.P. Awards, MacDowell Colony Fellowship, Morse Fellowship from Yale University, First Prize - Premio Ancona, First Prize - International Sinfonia Musicale Competition, Connecticut Commission on the Arts Grant with Chamber Music America (1983), two First Prizes, Composers Inc. Competitions, Semi-finalist - Friedheim Awards, The Chamber Music Society of Lincoln Center Elise L. Stoeger Prize for Chamber Music, Composer-in Residence, American Academy In Rome. Bresnick is recognized as an influential teacher of composition. Students from every part of the globe and of virtually every musical inclination have been inspired by his critical encouragement. He is currently a professor at the Yale University School of Music, where he has been a widely influential teacher of contemporary composition since 1981. His teaching has been recognized by a Walter J. Gores Award for Excellence in Teaching at Stanford University, ASCAP Foundation's Aaron Copland Prize for Teaching, and the Yale School of Music’s highest honor - the Sanford Medal for Service to Music. Educated at the High School of Music and Art NYC, University of Hartford (B.A. '67), Stanford University (M.A. '68, D.M.A. '72), and the Akademie für Musik, Vienna ('69-'70), Bresnick’s principal teachers of composition include György Ligeti, John Chowning, and Gottfried von Einem. Martin Bresnick is a member of the American Academy of Arts and Letters. His compositions are published exclusively by Carl Fischer Music Publishers, New York; Bote & Bock, Berlin; CommonMuse Music Publishers, New Haven. They have been recorded on Cantaloupe Music, New World Records, Albany Records, Bridge Records, Tall Poppies, Composers Recordings Incorporated, Centaur, Starkland Records, and Artifact Music.

Frank DenDanto III: lighting Design and visual artist, received his MFA in Design from NYU's Tisch School. Select NYC credits include Full Circle's Solar Powered at the New Victory Theater, Blind Alley at the Puerto Rican Traveling Theater, Only You at the Jewish American Theater, Shadow Box at the Hudson Guild Theater, Title of Show for NYMF, People Are Wrong at PS122 and Acts of Love at the Kirk Theater. He has designed for Spalding Gray, Eric Bogosian, Karen Finely, Tim Miller, Holly Hughes, John Fleck, Deb Margolin, Ann Magnuson, and John Kelly and Sarah Jones. Dance Credits include work with Sarah Michelson, Lava Love, Stacy Dawson, David Neumann, and the White Oak Dance Project and of course two decades with Bridgman/Packer Dance. His regional credits work at Stage Works in Hudson NY, the Berkshire Theater Festival, New York Stage and Film and Delaware Valley Opera and Half Moon Theater Co.

Awards for his light installation/sculptures include First Runner Up in Light Forums 98, and a Jerome commission in 2002. His work and designs have been displayed at the Andy Warhol Museum in Pittsburgh, The Museum of Art and Architecture and The New Museum of Contemporary Art in NYC, The ICA in Portland ME and the Basilica in Hudson NY. He is co-founder of Mother’s Milk Inc., a nonprofit arts support organization, based north of NYC, supplying production support, workshop and rehearsal space for theater and dance in NY.

When not working to support or create works of art, Frank designs lighting for retail, commercial and museum spaces. In his free time he enjoys building full size whale skeletal articulations with his brother Dan in ME that can be seen at the Nantucket Historical Society, Phillips Exeter Academy, Seacoast Science Center and Harvard University.

Karen Boyer designs and builds costumes in NYC. Past and recent collaborators include choreographers Catherine Galasso, Faye Driscoll, Sidra Bell, Abigail Levine, Sarah Dahnke, nicHi douglas, Katy Pyle, and Sunny Hitt; Opera Columbus, Fresh Squeezed Opera, and theater makers Yangtze Rep, the New Wild, Object Collection, harunalee, Little Lord, Pan Asian Repertory, and Target Margin Theater. BFA: Maryland Institute College of Art, MFA: NYU Tisch. karenrachelboyer.com

Christopher Metzger is a Brooklyn based designer working in theatre, opera, and dance. Designs for CLD include: Kamila, Veiled, Ru, Treize en Jeu, Hera’s Wrath, and Naděje. His work with the company has been seen at the Beijing International Contemporary Dance Festival, Kaatsbaan International Dance Center, American Dance Guild, and Danspace Project. Recent designs include: "Little Gem" (Irish Rep), Orlando (AADA), Sweat (Mobile National Tour, Public Theater), Harlequin & Pantalone (Dorrance Dance), LIFE SUCKS., Happy Birthday, Wanna June, Enemy of the People (Wheelhouse Theater), La Traviata (Philharmonia of New York), West Side Story (Sioux City Symphony), Tosca (Opera Roanoke), Sehnsucht (Jack). Associate credits include: Sweat (Broadway), Falsettos (First National Tour), The Public Theatre, Santa Fe Opera, Theatre for a New Audience, Glimmerglass Opera. Christopher’s work in television includes, Apple TV’s, Dickinson. MFA, NYU. Proud member Local USA 829. www.christophermetzgerdesign.com

Jesse Seegers is a New York-based spatial practitioner working between architecture, graphic design, writing, editing, publishing, and research practices. His hybrid creative practice includes; designing and fabricating pneumatic/inflatable environments commissioned for events, performances, parties and temporary social encounters; teaching graphic design and publishing at New York University in the Tandon School of Engineering's Media and Gaming Network (MAGNET) and at The New School for Social Research in the Creative Publishing and Critical Journalism MA program as well as the School of Art, Media, and Technology at Parsons School of Design. He maintains a practice writing, editing and consulting on architecture, art, design and technology for publications, institutions and cultural organizations as a balance between both mental and tactile labor as well as technical and artistic faculties. He holds a Master of Architecture degree from Princeton University and a Bachelor of Arts from New York University’s Gallatin School of Individualized Study, and has written about architecture, art, design, and technology for publications in print and online including: PIN-UP, REAL Review, The Architect’s Newspaper, TANK, Frog, DAMn°, and Volume, among others.

New York-based Australian musician Lisa Moore is a multifaceted pianist, a prolific recording artist, and an avid collaborator. The New York Times has singled out her playing for its “life and freshness” and “fragility and tenderness”, The New Yorker describes her as “visionary” and “New York’s queen of the avant-garde piano” while Pitchfork claims “she’s the best kind of contemporary classical musician, one so fearsomely game that she inspires composers to offer her their most wildly unplayable ideas”. Given a special passion for the music of our time, Moore won the silver medal in the 1981 Carnegie Hall International American Music Competition and has since performed hundreds of commissioned works and world premieres – having worked with more than two hundred living composers, while residing and collaborating in the vibrant new music scene of New York City since 1985. Moore has performed throughout Europe, the UK, USA, and Asia - on some of the world’s great stages: New York’s Carnegie Hall and Alice Tully Hall at Lincoln Center, the Sydney Opera House, La Scala in Milan, London’s Royal Albert Hall and Royal Festival Hall, and Vienna’s Musikverein. She has released twelve solo albums - ranging from music by Leoš Janáček to Julia Wolfe - and more than thirty collaborative discs. Gramophone writes about her 2015 Mad Rush Philip Glass disc: “what becomes abundantly clear is Moore’s highly developed, intuitive and nuanced approach to this music”. Moore’s 2016 album The Stone People was selected by The New York Times Top Classical Albums 2016 and Naxos Critics’ Choice 2017. In June 2022, Moore released no place to go but around – her second album of music by Frederic Rzewski – to compelling notice. The New York Times remarked that the album is “meticulous...clever...hits the gas with controlled force”. For sixteen years (92-08) Moore was the founding pianist for the award-winning electro-acoustic sextet Bang On A Can All-Stars. She has performed with leading artists, ensembles and dance companies – Philip Glass, Meredith Monk, Ornette Coleman, Frederic Rzewski, Don Byron, Pamela Z, Thurston Moore, Iva Bittova, Bryce Dessner, London Sinfonietta, Steve Reich Ensemble, New York City Ballet, American Composers Orchestra, and The Chamber Music Society of Lincoln Center. As a concerto soloist, Moore has performed with the London Sinfonietta, Australian Chamber Orchestra, Albany Symphony, La Jolla Symphony, Sydney Symphony, Tasmania Symphony, Thai National, Monash MAPA, Canberra Symphony Orchestra, Philharmonia Virtuosi, Wesleyan University Orchestra-Sumarsam Gamelan, and the Queensland Philharmonic. She has worked under the batons of David Robertson, Leonard Bernstein, Pierre Boulez, Brett Dean, Roger Benedict, Bradley Lubman, Steven Schick, Benjamin Northey, Richard Mills, Reinbert de Leeuw, Jorge Mester, Leonard Dommett, Dobbs Frank, and Angel Gil-Ordonez. Moore’s festival appearances include Lincoln Center, BAM Next Wave, Banff, Tanglewood, Aspen, Chautauqua, Gilmore, PianoSpheres LA, Chamber Music Northwest, Huddersfield, Vale of Glamorgan, Liquid Music MN, Holland, Graz, Hamburg, Taormina, Paris d’Automne, Rome, Milan, Turin, Lithuania, Uzbekistan, Hong Kong, BBC Proms, Southbank, Barbican, Adelaide, Perth, Brisbane, Sydney, Melbourne Metropolis, Israel, and Warsaw. Lisa Moore is a Steinway artist.

A native of Osaka, Japan, Dr. Elly Toyoda is Visiting Assistant Professor of Violin and Coordinator of Strings at the Sunderman Conservatory of Music at Gettysburg College teaching violin, chamber music, music theory, and contemporary music. She is a recording artist for Cantaloupe Music label, and has performed in festivals and concerts across Asia, Europe, and North America. An avid supporter of contemporary music, Toyoda was awarded the Prix de Musique Contemporaine by the Fontainebleau School, and has appeared on programs at the National Sawdust, Le Poisson Rouge, National Gallery of Art in Washington DC, and the Elb Philharmonie in Germany. She has premiered numerous works through the Norfolk Chamber Music Festival, Lucerne Festival, Massachusetts International Festival os the Arts, Lake George Music Festival, and Talis Festival. Toyoda is a collaborator with Mammoth Trio and Eighth Blackbird - the 4-time Grammy award-winning contemporary music ensemble. Toyoda was previously faculty-artist for Yale School of Music's Norfolk Chamber Music Festival, Lecturer at Rutgers University, and violin and viola faculty at Lindeblad School of Music, and SpeakMusic Conservatory. Toyoda studied at Oberlin Conservatory (B.M.) where she was elected membership to the National Music Honors Society, Yale School of Music (M.M) where she received the school’s Alumni Prize and was a finalist for the concerto competition, and Rutgers University (D.M.A) where she received the school’s highest honors in recognition of excellence in performance and scholarly research.

At age 2 Miriam Liske-Doorandish requested her first cello and began lessons with her mother, Lisa Liske-Doorandish. She has since studied with Jonathan Kramer, Hans Jensen, Bartholomew LaFollette (BMus studies at the Royal College of Music), Amir Eldan (BA and AD at Oberlin Conservatory) and Paul Watkins (MM and MMA at the Yale School of Music). Raised in Virginia's Blue Ridge Mountains, Miriam is motivated by a love of collaboration which has led her into traditional chamber settings as well as traditional fiddling sessions. As cellist of the exploratory ensemble Trio Ondata, Miriam is a recipient of the gold and audience prizes at the 2023 Yellow Springs Chamber Competition. The trio also won silver medal and the Horszowski Prize at The Fischoff National Chamber Music Competition (‘22), and were winners of the 2022 Yale School of Music Chamber Competition. Miriam is at home with music up to and beyond the edges of the classical canon, embracing baroque and contemporary performance throughout her studies. In recent years Miriam has appeared at festivals such as Mimir Chamber Music Festival, Avaloch Farm Music Institute, Norfolk New Music, IMS Prussia Cove, Kneisel Hall, Four Seasons, the Next Festival of Emerging Artists, Musique à Marsac, and Bowdoin International Music Festival. Recognized for her arts advocacy, Miriam has received support from The Secular Society and Oberlin’s Flint Initiative Grant for her work as a founder and co-director of the Cello Springs Festival, a cross-genre education and performance project in Yellow Springs, OH. Miriam is currently based in New Haven, CT where she plays with Trio Ondata, the Havenwood Quartet and Versicolor New Music. In counterpoint with her performing and teaching life, Miriam is invested in community-building, the culinary arts, and exploring the Great Outdoors. She plays a Rocca model cello (2019) by Maryland-based luthier Howard Needham.

Praised for his "elegant and rounded sound" (Albany Times Union) and "effortless...unmatched" technique (The Clarinet Online), Graeme Steele Johnson is an artist of uncommon imagination and versatility. His diverse artistic endeavors range from a TEDx talk comparing Mozart and Seinfeld, to his reconstruction of a forgotten 125-year-old work by Charles Martin Loeffler. Johnson’s recent appearances include the Library of Congress, Chamber Music Northwest, Ravinia, Emerald City Music, and the Bridgehampton, Rockport, Orcas Island and Phoenix Chamber Music Festivals, as well as solo recitals at The Kennedy Center and Chicago’s Dame Myra Hess series. Since 2022 he has served as the clarinetist of the award-winning quintet WindSync, one of only two American wind quintets with a full-time, international touring schedule. In 2020, Johnson discovered the unpublished manuscript to a forgotten 125-year-old Octet by Charles Martin Loeffler, one of the most performed American composers of his time. Johnson spent a year reconstructing the Octet's score, creating the first critical edition of the music and revealing a kaleidoscopic piece spanning a half-hour. Johnson’s world-premiere recording of the work will be released on Delos Productions in the spring of 2024, coinciding with the first modern performances of the piece at the Library of Congress, Morgan Library, Harvard Musical Association, Phoenix Chamber Music Festival and The Stissing Center. Interested in shedding fresh perspective on familiar music, Johnson has authored numerous chamber arrangements of repertoire ranging from Mozart to Messiaen, and performed them around the country with such artists as the Miró Quartet, Valerie Coleman and Bridget Kibbey. Johnson is the winner of the Hellam Young Artists’ Competition and the Yamaha Young Performing Artists Competition and holds an exclusive recording contract with Delos. He earned graduate degrees from the Yale School of Music, and his major teachers include David Shifrin, Charles Neidich, Nathan Williams and Ricardo Morales.

Brendon Randall-Myers is a Brooklyn-based composer, guitarist, and sound designer who creates intricate and visceral music at various intersections of rock, experimental, electronic, theater, and classical. His work has been described as "an unflinching testimonial on grief and endurance" (Pitchfork), “emotive and gripping” (The Quietus), “physically punishing, but also detailed with fanatical precision” (Night After Night), and "a yearning explosion” (The Wire). Brendon co-leads avant-black metal band Scarcity, and is a member of the Glenn Branca Ensemble - having conducted the group since Branca’s death in 2018 - and avant-electric guitar quartet Dither. He writes music for classical performers (pianist Miki Sawada, Friction Quartet, cellist Annie Blythe, Chicago Symphony), cross-genre/experimental groups (Bang on a Can, Dither, Warp Trio), and film scores (Docked, Swimming with Stones, We the Economy: Recession). Brendon's work has received support from the Jerome Foundation, New Music USA, New York State Council for the Arts, Chamber Music America, the Guitar Foundation of America, the Foundation for Contemporary Arts, and ASCAP. He has performed in clubs, concert halls, and basements around the world, including the Barbican Theatre (London), the Kennedy Center (Washington, D.C.), and the Forbidden City Concert Hall (Beijing).

Iranian and Pakistani-American flutist Amir Hoshang Farsi’s playing has been described as “virtuosic and birdlike” (I Care if You Listen) and having a “beautiful sound and personal sense of expression” (New York Classical Review). Amir has made appearances at notable halls and music festivals across the United States and Canada, including Carnegie Hall, the Banff Centre, MASS MoCA, the Guggenheim Museum, Lincoln Center, the Time:Spans Festival, the New World Center, Music@Menlo and Norfolk Chamber Music Festivals, the Bang on a Can Festival, the St. Lawrence String Quartet Chamber Music Seminar, the Annapolis and Lake George Music Festivals, and the Shenandoah Valley Bach Festival. A passionate chamber musician, Amir has collaborated with leading artists such as tenor Nicholas Phan, soprano Meigui Zhang, violinists Arnaud Sussmann and Jennifer Frautschi, cellist Inbal Segev, harpist Parker Ramsay, cellist Mike Block, tabla-player Sandeep Das, flutist Claire Chase, and horn player William Purvis. Other projects have included composers Julia Wolfe, Luca Francesconi, Reena Esmail, Kaija Saariaho, Michi Wiancko, Robert Honstein, visual-artist Kevork Mourad, Running AMOC, and multidisciplinary duo The Afield. Amir is an alumnus of Ensemble Connect (2020-2023)—a joint fellowship through Carnegie Hall, the Juilliard School, and the Weill Institute of Music. He received a bachelor’s degree from the Peabody Institute of the Johns Hopkins University under the tutelage of Marina Piccinini and a master’s degree from the Yale School of Music, where he studied with Ransom Wilson. Amir was named one of ten Density Fellows in its inaugural class as part of Claire Chase’s Density 2036 Project where he works closely with Claire Chase on works from her Density2036 Project. Additionally, Amir recently participated in APAP’s YPCA program granting him and 5 other young artists/ensembles resources in professional development, networking opportunities, and an artist showcase at Carnegie’s Weill Hall.

Eleonore Oppenheim is a genre surfing musical polyglot. Her current projects include big dog little dog (a duo with composer/violinist Jessie Montgomery), an acoustic trio with art-pop auteur Glasser and multi-instrumentalist Robbie Lee, and the avant folk-jazz supergroup the Hands Free (with James Moore, Caroline Shaw, and Nathan Koci), among others. Eleonore has an exciting repertoire of commissioned solo pieces and has also worked with established composers including Philip Glass, Steve Reich, and Meredith Monk, in composer-led ensembles like Missy Mazzoli’s “all-star, all female” bandsemble Victoire and Florent Ghys’ low strings and drums powerhouse Bonjour, with the Bang on a Can All-Stars, and with many other artists from the indie rock, jazz, and folk worlds. In addition to writing and arranging music, she has established herself as a go-to chamber musician, soloist, recording artist, and large ensemble player. Eleonore enjoys working in the theater as well and has performed on and off Broadway in productions including Daniel Fish’s TONY award winning revival of “Oklahoma” and (currently) Justin Peck and Jackie Sibblies Drury’s dance drama “Illinoise.”Also a music educator, she currently runs a new music program for teens called Face the Music at the Kaufman Music Center and also teaches and manages ensembles at Special Music High School. She is an alumna of the Juilliard School, the Yale School of Music, and Stony Brook University.

Scott Killian has composed works for such major American companies as Alvin Ailey American Dance Theatre, Hubbard Street Dance-Chicago, Nikolais/Louis Dance, and the José Limón Dance Company. Killian has created numerous works with Cherylyn Lavagnino, as well as with Danny Shapiro and Joanie Smith, Johannes Wieland, ZviDance, and others. As a composer/sound designer for theatre, Killian has served as Resident Composer for the Berkshire Theatre Festival since 1997 and his work has been seen at theatrical venues including Manhattan Theatre Club, New York Theatre Workshop, Public Theater, Women’s Project, The Acting Company, Rattlestick Theatre, Shakespeare Theatre of Washington D.C., Shakespeare & Co., Seattle Rep, Baltimore’s Center Stage, Theatre Calgary and the Vancouver Playhouse. Music for film includes Witnessing, a documentary film, which premiered at the Tribeca Film Festival and aired on MSNBC, the film Undetectable: the Changing Face of AIDS (premiered on PBS and the NOW Film Festival/NYC) and Swan Lake, Minnesota an award-winning video adaptation of the classic ballet produced by the A&E network.

Charles Roussel (b. 1984, France) is a Brooklyn based photographer, specialized in portraiture and editorial work.

He holds a Masters in Communication Arts, and completed his education at the International Center of Photography in NYC.

He held his first solo show "The NY Chronicles" in 2017 in NYC.

Travis Magee received his BFA in dance from the Boston Conservatory where he had the privilege of working with such legends as Yuriko, Murray Louis and Jennifer Scanlon. Since his graduation he has been a frequent guest with the Metropolitan Opera Ballet and a member of the Lucinda Childs Dance Company. As a photographer, Travis has worked with some of the world's greatest dancers to create high energy, kinetic images.