Lisa Moore’s playing has been singled out by The New York Times for its “life and freshness” and “fragility and tenderness”. Pitchfork writes: “The New York-based Australian pianist Lisa Moore is a tightrope-walker, a daredevil. She’s the best kind of contemporary classical musician, one so fearsomely game that she inspires composers to offer her their most wildly unplayable ideas. She can play them all.” The New York Times remarks ‘Lisa Moore has always been a natural, compelling storyteller'. Moore has released 10 solo discs (Cantaloupe, Tall Poppies, Orange Mountain, IGM, Bandcamp) and over 30 collaborative discs (Sony, Nonesuch, DG, BMG, New World, ABC Classics, Albany, New Albion, Starkland, Harmonia Mundi). Her 2016 disc The Stone People (Cantaloupe) was listed in The New York Times Top Classical Albums 2016 and the 2017 Naxos Critics’ Choice. Her recording of Ishi’s Song by Martin Bresnick (Stone People CD) is ranked no.4 in the 2020 Naxos Best of Indie Classical. Moore has performed with the London Sinfonietta, Chamber Music Society of Lincoln Center, New York City Ballet, Steve Reich Ensemble, American Composers Orchestra, So Percussion, Ensemble Signal, and the Australian Chamber Orchestra. She is currently a member of TwoSense, Grand Band, Signal, and the Paul Dresher Double Duo. Her festival performances include Lincoln Center, BAM, Graz, Tanglewood, Gilmore, Chautauqua, Huddersfield, Paris d'Automne, Shanghai, Beijing, Hong Kong, BBC Proms, Southbank, Adelaide, Perth, Sydney, Melbourne Metropolis, Israel, and Warsaw in venues such as the Royal Albert Hall, La Scala, Carnegie Hall, and the Musikverein. From 1992-2008 Lisa Moore was the founding pianist for the electro-acoustic sextet The Bang On A Can All-Stars - winning Musical America's Ensemble of the Yea’ Award. www.lisamoore.org