MISSION STATEMENT

Cherylyn Lavagnino Dance’s (CLD) mission is to create movement that engages an audience by aligning the rigor of ballet with the humanistic performance values of contemporary dance. This unconventional use of ballet distinctively conveys moods and relationships, without the decorum that is integral to classical repertory, and without subduing the individuality of each of the dancers.

The work is generated by issues of social injustice and the concern for the human condition, fueling profoundly sensitive and compassionate work with the intent to heal and call attention to the issues faced by women, people of color, and other marginalized groups.

This body of work could not be appropriately created or conveyed without a diverse group of dancers, composers, musicians, and other artistic collaborators. CLD has a long-standing commitment to educational outreach, as well as to the partnership of dance and live music.

Eloquence must be something Lavagnino asks of her dancers. You often feel the movement as it courses through their bodies gently or fiercely. The distortions don’t look like examples of the new virtuosity, and at their best, they seem to proceed from emotional states. The dancers gaze intently at one another and the space, while the choreography bends the ballet choreography to suit whatever possesses them, or invades them from the music.
— Deborah Jowitt, dance critic and author

COMPANY HISTORY

Cherylyn Lavagnino has created over forty works in the past fifteen years, and since 2000 the platform for her choreography has been Cherylyn Lavagnino Dance (CLD). Twelve exceptional artists make up CLD stemming from distinguished backgrounds and professional work experiences such as Twyla Tharp, Bill T Jones/Arnie Zane Company, Jose Limon Dance Foundation, Lucinda Childs, Shen Wei Dance Arts, and John Jaspers. The company supports a Live Music and Dance incentive by collaborating with composers Scott Killian and Martin Bresnick on new works, as well as performing alongside world-renowned musical artists such as Lisa Moore, Elly Toyoda, Ashley Bathgate, and New York City Ballet Orchestra members Derek Ratzenboeck and Cameron Grant. CLD has been presented in New York City and abroad: The New Festival in Beijing, Bryant Park, Danspace Project, The 92nd Street Y, Dance Theater Workshop, Symphony Space, DanceNow/NYC, Jacob’s Pillow, The Yard, Kaatsban International Dance Center, Indianapolis City Ballet, Intermezzo Dance, The Joyce Theatre’s “Evening Stars” series, and the Off the Grid Festival. The company also has a long history of performing in museum and gallery spaces such as Chelsea Art Museum, OK Harris Works of Art, and the James Cohan Gallery. CLD serves annual residencies in Vermont and upstate New York (organized by the Catskill Mountain Foundation) which offer the communities educational outreach enrichment and live performances. The company has been supported by the Rockefeller Brothers Fund, the Harkness Foundation, the American Music Center’s Live Music for Dance grant, the Lower Manhattan Cultural Council’s Fund, the NYU Global Research Institute grant, and receives matching corporate funding.

Photo by: Charles Roussel

Photo by: Charles Roussel


ARTISTIC DIRECTOR/CHOREOGRAPHER

Photo by: Travis Magee

Photo by: Travis Magee

Cherylyn Lavagnino earned an MFA in Dance under the mentorship of Lawrence Rhodes from New York University’s (NYU) Tisch School of the Arts, as well as a BA in Philosophy from the University of Southern California. Lavagnino’s professional dance career spanned worldwide as a soloist with the Pennsylvania Ballet, a principal dancer with Arizona Ballet Theatre, as well as a principal dancer with Ballet del Espacio in Mexico City under the direction of Michel Descombey. She has performed a range of classical repertoire and contemporary work by choreographers including George Balanchine, Jerome Robins, Jose Limon, John Butler, Hans Van Manen, Lynne Taylor-Corbett, Margo Sappington, John Butler, and Tere O’Connor. The diversity of these experiences has informed the dialogue between classical and contemporary in her work with Cherylyn Lavagnino Dance. Ms. Lavagnino is an Alpert Award nominee for choreography. Lavagnino has had successful commissions at Princeton University, Intermezzo Dance, Indianapolis City Ballet, Jamaica, Southern Methodist University, University of Utah, and Repertory Dance Theatre, as well as recipient of a space grant residency from the Baryshnikov Arts Center. Lavagnino served as Chair of the Dance Department at NYU’s Tisch School of the Arts from 2006–2014 and as a full-time faculty member from 1987-2022. In recognition of her superior work, Lavagnino won NYU’s prestigious David Payne Carter Award for Excellence in Teaching (2003). Lavagnino served as Visiting Professor of Dance at the University of Utah for the 2021-2022 academic year. She teaches professional ballet locally in NYC and internationally, instructs summer residency programming and company class for Abraham.In.Motion, and masterclasses in Tokyo, Beijing, Seoul, and Prague. She continues to develop a creative exchange with the Beijing Dance Academy and the Conservatory and Academy of Performing Arts in Prague. Lavagnino received NYU's prestigious Global Research Institute grant for travel and research in Prague (2018).